I started doing storyboards, comps and animatics in 1993. I knew nothing about how to do them, but I knew how to draw, so I jumped in. I enjoyed it tremendously inspite of the short deadlines and fast turn around times. I learned to think in 3 dimensions instead of static, posed bodies which I had done for 25 years as a fashion illustrator.
All of these were done in pencil, Prismacolor pencil, and marker.
I now do everything digitally now- except for the pencils.
My commercial work can be seen here:
http://www.sharonartrep.com/portshow.asp?filter=key&keywords=wood
and
http://www.aboveboards.com/Portfolios/JudiWood/jw_200pages/jw20001a.html
From a series for Pioneer Electrics
Ford meets Rhino/JWT Detroit 2004 Alice Cooper proposed for Glad/Clorox products
World Soccer and VISA Sprint PCS
This was from a series from the early 1990's ....I always liked it, even if I don't remember the product.
Dame Edna and Alice Cooper were from the same proposed series for Glad Wrap for DDB/SF
Recent piece for St. Ives
I also don't remember what this was for; this is a fast sketch style.
This is from a series which includes the one below, also, for Animal Planet TV
This was part of a storyboard series for Publicis/Hal Riney
a fast color sketch for Grant, Scott & Hurley in SF.
This robot was working out in the gym with his fellow robots/ Ford /JWT Detroit This one is about the 200th anniversary of the founding of Wall Street; it is also a fast semi color/pencil sketch style.
One of a series for Briggs & Stratorn (Minneapolis)
Terry Bradshaw was the spokesman for Armor All, also a Clorox product, done for an animatic for DDB/SF in the early 1990's.